Tag Archives: Freelance

I’m Back!

Hello again, it’s me. Back from my self-imposed or should I say self involved sabbatical.  I ran out of things to say there for a while (I find we all do that sometimes) and faced with reprinting other people’s material, re-treading my own, or clamming up I chose the latter for three months. I must admit some guilt every time I passed my computer on my way to watching football or playing my guitar, but never enough to actually sit down and write something.  So, here I am again, with a (hopefully) simple message.

Once upon a time I had a girlfriend who told me about how her father got hit by a trolley car when he was a kid.  Obviously, he was OK as he grew up to father children, but the story goes like this:  he and his mother had just come from the shoe store where he had gotten a new pair of shoes.  He was enthralled by how shiny they were and kept looking down at them.  His mother implored him to  pay less attention to his new shoes and more attention to where he was walking. They came to a busy street corner, he stepped off the curb whilst looking at his shoes and …. well you know the rest, he got hit by a trolley car.

Why do I bring this up now? WPA, the company I started with a great group of intrepid and committed people just celebrated its 1 year anniversary.  The enterprise is going gangbusters and dare I say, is more successful in one year of operation than my previous company was in ten years. I could attribute this to any number of factors and there are a lot at work here.  But, when it comes right down to it, it’s about the people involved.  They all have vision, commitment and ambition, both personal and collective. As a group, we’ve flourished.

There have been challenges for sure. There was and still is a learning curve of how to work together for the common good. There have been control issues (mostly mine) and the fits and starts of implementing a new and innovative team system of representation and corporate culture. I’m very proud of everyone involved and what we’ve accomplished together.

What does this have to do with shiny new shoes?  Only everything. It would be so easy to sit back, look at what we’ve done and be delighted.  But, to keep staring at the glow of our shiny shoes would be to invite a trolley car to run us over.  So, instead we are looking ahead.

“Yesterday’s home runs won’t help you win today” – Babe Ruth

Too true. As we start to plot a course for 2012, we’re asking ourselves a lot of questions. What were the successes and why?  Where did we fall down and why? Both sets are tough to answer, but are equally important.  I personally have been taking a lot of time to plot goals and strategy.  Here’s what I have found: I’ve been very bad in the past at plotting goals and strategy. Here’s why:  I haven’t ever spent enough time doing it.  I’ve always just sat down and written it out, then moved on.  This time, I’m writing, considering, coming back to it a few days later, suddenly adding insight when I have an inspiration.  It’s been a process of several weeks now and I can tell I’m not done yet.

Setting goals are one thing. Adding a detailed strategy to achieve them is quite another. I just read “Great By Choice” by Jim Collins and Morten T. Hansen. I found it to be a fantastic system of goal setting and strategy.  The basic techniques are: set your goal, figure out how you’re going to get there with a SMaC recipe. These are actions to be taken that are Specific, Methodical and Consistent (SMaC) and are then formed into what they call a “twenty mile march.” A march you do day in, day out, week by week, year by year.

It has opened my eyes to a new way of thinking about goals.  In short, there’s an accountability mechanism built in. Because, you’re either marching or you’re not. You’re either advancing on your goals or you’re not. You have a specific list of actionable steps or you don’t. I recommend this read.

So then, what’s next for WPA?  You’ll have to keep reading. I can tell you we won’t be caught staring down at our shiny shoes.  This is Hollywood, the trolley cars don’t just pass by, they’re aiming for you.

Typical dress for a hollywood Trolley Car.

Stoked

One winter when I was a kid the power went out for two days.  I grew up in Connecticut and every winter we would have several Ice Storms.  On these days, you would wake up to all the tree branches glistening with a coating of ice around everything.  It was most fantastic because school was always cancelled.  My sisters and I would sit around the kitchen table, ears stuck to the radio waiting to hear our town called out as closed. When there were Ice Storms they always closed school.

You see, as the storm progressed, the roads would develop a half inch or so of solid ice.  I remember this particular time putting on ice skates and skating right down the middle of the road. That is until those beautiful tree branches began to break and fall on the equally coated power lines. Then, what was a lot of fun became something else. Downed lines flailing and sparking and a stupid kid in skates trying to run down the street.  I did manage to make it home.

After several hours of the power being out and phone calls to friends who still had power and reports from the radio, it became apparent that it would be a few days before we had heat again. So, my parents hatched a plan where after waiting for the roads to be sanded, my mother and sisters would head off to my Grandparents house in the next town to wait it out while my father and I stayed behind to drain the radiators (we had those old steam kind) and keep a fire going in the fireplace so that hopefully the whole plumbing system didn’t freeze up.

It was quite an adventure.  We had sleeping bags in the living room, a pile of wood and we took shifts staying up and keeping the fire going. I was only 12, we sat up for a long time talking.  He let me have a beer, I didn’t really like beer that much at the time, especially beer that had been sitting in 10 degree weather on the back porch and was more like a half frozen 7/11 beer slushy.  But we were two men braving the elements and surviving anything a  suburban living room could throw at them.

I remember keeping that fire going strong all night. I mean the house was freezing and I’m not sure the fire warmed the plumbing system that much (though it didn’t freeze) but we made it through the night. The following afternoon as we were preparing for another death defying night on Mt. Rumpus Room, the power unexpectedly came back on.

I think we all have experience sitting around a fire and tending it, keeping it going.  There’s something primal and satisfying about making a “roaring” fire and keeping it really big.

So what about your career’s fire?  Is it roaring? Is it fading?  I’ve seen plenty of careers that at one time were roaring but one day become barely glowing embers. They got that way simply because as they died down, the owner failed to stoke it and put more wood on.  There’s a misnomer that once you “make it” your career will just keep going on it’s own momentum.  But, it won’t.  It’s just like a fire that needs constant tending.

Some say, “that’s why I have an agent” but, as an agent myself I can tell you that isn’t enough.  If you rely solely on your agent’s contacts without making and maintaining contacts on your own, the day will come when you will realize that you don’t actually know many people in the business. You’ve worked with a lot of people, you’ve done a good job, but years after the fact, you don’t really know them well enough to suddenly reach out and start a work dialogue.  When you finally do reach out long after working together, it seems desperate because let’s face it, as a freelancer, if you wait until you need work to work on getting work, it is desperate.

On the other hand, if you maintain your contacts by regular casual ‘hey what’s up emails, birthday and holiday greetings, or even just using the Facebook ‘Like’ button daily, you are ahead of the game. Through constant contact you may even make some close friends and we all want more of that.  You have to see each contact you make as a stick of wood going on to the fire of your career.  The more sticks, the higher the fire may grow.  If you make contact with people infrequently, don’t expect too big of a fire. If not at all, you will find yourself blowing at the embers just trying to get a small flame started up.

It may be that you think that since people really like you when you’ve worked with them, and that’s enough for them to think of you next time.  It’s not.  People forget very quickly and need to be reminded that they really like you. And the best way to do that is to keep being likable. When you pay attention to people, it shows you like them. When people feel you like them, you in turn become likable.

It’s never too late to sleep in the living room and get that fire going again.  But once you do, make sure you keep an eye on it every day. And more than that, make sure that every day you keep throwing sticks on the fire.  More sticks = more fire. More contacts = longer career.

The math isn’t hard, but organizing a plan can be.  Try this: make a list of everyone you can ever remember working with.  Now go on Facebook and if you’re not Facebook friends already, FRIEND THEM.  In almost every person’s Facebook info is their birthday and their email address. Add this info to your contact list. Now the hard part: use the information. Put together a daily list of contacts that can be made and follow through.

This is a simple first step towards building a fire.  The casual contacts are sticks, so put them on the fire.  When you actually work together, those are logs so make them count.  After the job, make sure you keep throwing sticks on the fire until the next job.

And take my advice: don’t try to run in the street in ice skates. It’s very difficult.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Want to share this idea with your own Twitter network? Here are handy tweetable bits.

More sticks = more fire. More contacts = longer career. http://bitly.com/lF4tfb @agentonloose

What about your career’s fire?  Is it roaring? Is it fading? http://bitly.com/lF4tfb @agentonloose

When you pay attention to people, it shows you like them. When people feel you like them, you in turn become likable. http://bitly.com/lF4tfb

Don’t try to run in the street in ice skates. It’s very difficult. http://bitly.com/lF4tfb @agentonloose

I’ve Seen London, I’ve Seen France…

Headed to Paris from London today. Rocking the Eurostar through the Chunnel. The English countryside has been flying by for the past half hour, looking vaguely like New England until a random castle pops onto the landscape out of nowhere. The train conductor is making an announcement through a squeaky speaker in an accent so thick and unintelligible that he sounds like inspector Clouseau taking your order at a Jack In The Box drive through. I hope it wasn’t something important like “the Chunnel ahead has sprung a leak, please proceed to the lifeboats.” I think if that’s the case we’re pretty well screwed anyway, but still.

People have been commenting on my American accent over the past few days!! Can you imagine? I keep telling them I’m not the one with the accent, but it hasn’t helped. When I realize that I am indeed the different one, I make a quick apology for the Bush administration and we move right along with the conversation.

Back to the train. Most of the seats on this train face each other and I’m opposite a rather large man. We are alternating our foot position to give us each enough leg room. The guy next to me is asleep with his fist against the side of his head, his propped elbow taking up the whole arm rest between us. Therefore, I am now typing in a contorted sideways position, my body twisted against the window and my feet headed in the opposite direction between the fat man’s feet. I would say something, but my accent would be discovered and I would have to start the Bush apology all over again.  However, It does remind me about the importance of positioning.

The view from my train!

Ah, we’ve come out of the dark tunnel and into France. I just got a text from the French cell provider that my per minute rates are one quarter of what they were in Great Britain. Imagine the joy of the troops coming ashore at Normandy when they realized their cell phone calls just got cheaper. And we wonder how they found the resolve to push on to Berlin…

Back to positioning. How is your career and indeed your life positioned? It’s a tricky question. Are you doing commercials, features, television? Are you at the top of the market, the middle of the market or are you just breaking in? Are you single with very little stuff and no debt or are you married with kids and a mortgage?

None of these scenarios are better or worse than another, but they all point to what your positioning is. You may wish to work at the high end of features but you are working in the middle market of tv commercials and you have a family. Not impossible by any means, but not as easy as the transition of someone without a family, as the financial foundation must be supported and risk is tougher. You have the talent, but the positioning is wrong. You may be single, just out of film school with a few student films under your belt and you are positioning for high end commercials. Your reel is pretty good but your set experience is light and you’ve never worked in the stressful environment of advertising where money changes hands fast.  And errors, well lets just say there isn’t much latitude for errors.

Positioning is a starting point at the beginning of a career.  Positioning is also choosing a NEW starting point at any time during a career.  So, how do you find the right positioning to have the career you want? How do you then move it forward? There is no right way to answer to this, but in my experience I would say slowly. Step by step, day by day get to where you want to go by moving in the direction you desire. If you have financial and family commitments, build up your savings so you can take a low paying feature as an intro to that world. If you are young, join a department at the bottom and work your way up so you are exposed to both the technical and political workings of the business.

If you are pointed one way and where you want to go is in the opposite direction, you first need to turn around. Assess where you really want to go and take the first small steps in getting there. There is a pressure in society to live your whole career in a month.  To be a millionaire before you are 30. That happens of course, but only in a minute percentage of careers.  Mostly, it’s the image we tend to see in the media, so it’s our own fault really.  But, you don’t have to buy into it.

The idea is to be calculating and make choices wisely over a period of time. If you can avoid it, don’t head in directions that are just lucrative and not artistically satisfying, unless of course you have to.  There is a point where money will no longer be enough. I heard a great quote by the speaker John C. Maxwell. “To go up you have to give up.”

It’s true. Many on my trip have been surprised and some even appalled that this is my first trip to Europe. I could have gone earlier of course, but I was working mostly office jobs, supporting a family, working my way up. The positioning and direction I had chosen for my life just hadn’t led to Europe until now.  It’s ironic of course that many of the clients I work with travel to Europe constantly. Some live there. However, I now realize my positioning has been changing slowly over the past several years and I’ve wanted it to. This sea change has culminated in the creation of WPA, The Worldwide Production Agency. With that name, of course there is going to be a bit more travel involved.

So, assess where you’ve positioned yourself and where you want to go. Remember, steering a career is like steering a big ship. To turn it in a new direction you turn the wheel slowly.  To try and spin it around quickly is to risk capsizing.

As Thoreau said: “Go confidently in the direction of your dreams.” I’ll add: as you go, be aware of your course and make the small adjustments to keep you on your path.

I’ve always wanted to go to Europe and here I am.  It took a while, but now I am on a train, twisted against the window between a snoring arm rest hog and a fat man. Inspector Clouseau is muttering about his “Minkey” over the intercom and I’m loving every second. It’s funny, I chose this long ago and step by step, with some decent and often hard choices, I slowly got here.

Tonight I see the Eiffel Tower. Tomorrow, who knows?

25 Rules for Surviving and Thriving In Hollywood

As an actor (my first career in entertainment) I came across a list of rules for making it in show business. I can’t remember who it was by, but it was funny, succinct and to the point.  That was a long time ago and I don’t remember the rules other than the mantra which I’ve repeated here in rules 3, 8, 16 & 25. Also, rule 1. came from an English blogger who’s blog I can’t find now (credit where credit is due… sort of.)

So, here we go.  My first rules for making it in Hollywood. Based on my experience, I wrote down  the 25 most common sense things I could think of. Why 25? I figured you could handle that many.  If I thought if the cast of Jersey Shore was reading, there would only have to be four and I’ll let you guess which ones they are. If you think there are some missing, feel free to chime in.  With no further ado, I bring you my 25 Rules:

1. Always carry a pen.

2. Have specific, time sensitive goals.  Use the pen to write them down. Keep them in a place where you can see them.

3. Save your money.

4. Don’t neglect your family and friends. When the bottom falls out, they are the net that will catch you.

5. Go easy on the cosmetic surgery. There’s a fine line between looking younger and like a surprised floatation device.

6. The best route between Hollywood and Beverly Hills is Fountain Avenue to La Cienega to Burton Way.

7. Always remember that youth and skill are no match for age and treachery.

8. Save your money.

9. There’s no such thing as overnight success.  There are only years of hard work that suddenly pay off.

10. There is a big difference between leaving your mark and marking your territory. Don’t confuse the two.

10. Failure is not an option, it is an inevitable and necessary ingredient of success.

12. Getting knocked down in Hollywood thins out the herd.  Always be sure to get back up.

13. If anyone ever says you’ll never work in this town again, realize it’s only until they need you again.

14. People don’t need a good reason to sue you, they just need a lawyer. Don’t take it personally, it’s just business.

15.  If you don’t love the movie business, find something you love and do that instead.  Love expands and so does bitterness.

16. Save your money.

17. Always make sure you’ve removed the lens cap before rolling.  Success is in the details.

18. The town can smell fear and desperation. Find a way to erase these emotions from your business life.

19. Be nice to waiters, valets and receptionists.  Someday they’ll be green lighting your projects.

20. When someone’s assistant says “actually he/she is in a meeting and can’t talk now.” They “actually” just don’t want to talk to you.

21. Know the difference between providing opportunity and mentoring.  It’s the difference between making someone opportunistic or loyal.

22. Movie making is problem solving. If there are problems, it means that you’re still in business.

23. Never say “to be honest with you” or “I’ll be totally honest.”  These phrases mean that you are not usually honest and your current honesty is an exception to your standard operating procedure.

24.  Anything positive you do or say is instantly forgotten.  Anything negative you do or say follows you forever and makes you a suspect in all the ills of humanity.

25. Save your money.

Culture? I Got Your Culture Right Here

Here’s a question for you; as an artist, entertainer or freelancer, what does corporate culture have to do with you? You’re not a CEO with hundreds of people working under you, so why would you have to think about it? We all have to think about it.  If we don’t, no one will work with us.  Or at the least, if you’re hyper talented, but impossible, people will work with you begrudgingly.

I’ve been involved in a lot of different cultures throughout my working career.  At my first production staff job I was told early on “Our credo is: assume everyone is dumber than you.”  Brilliant!  Grammatically incoherent, promotes arrogance while belittling you all at the same time.  Teamwork wasn’t our thing. It was every idiot for themselves.

My first job at a talent agency was different. I was told by the guy who hired me: “The object of the game here is to devour the top. I won’t be satisfied until you make me obsolete and I’m on the sidewalk looking for a job.”  I don’t think he realized that it would only be three months before he actually was on the sidewalk looking for a job.  I can’t take credit for it.  There was a sudden palace coup that dispatched of him quickly and finally.  Brutal.  It taught me to keep my head down, work hard and never let my bookings or revenue slip.

Looks like the right gear for storming an agent's office.

See, rather quickly it became obvious to me that big talent agency culture was simple: you can have dead bodies piling up in the corner of your office and as long as your bookings are strong, all management will do is send out for air freshener. However, let your bookings slip and they’ll call out for a SWAT team.

So, what is corporate culture?  In essence, it’s the spirit in which groups of people work together.  But, it’s up to each member of the group to individually contribute.  For example:  Good culture would be a movie set where the various departments communicate well towards the common goal.  Great culture would be that the team and individual attitude is ‘serving’ the other departments and the common goal.

Culture tends to be established from the top down, as in the two examples I gave you previously from my own experience.  My favorite movie example of this is in “Tropic Thunder” when Tom Cruise‘s studio head Les Grossman commands the Key Grip to punch the director in the face via Satellite link.  In the real world of movie making there are also examples of establishing culture good and bad.

Jack Nicholson is known for starting up an on set poker game with the cast and crew at the beginning of each movie he does. Invariably, when making movies there’s a lot of waiting around while different departments get ready for a scene. Jack doesn’t hide in his trailer, he spends the time with who’s ever available, building commraderie and passing the time having some fun with those around him.  He’s the boss and he knows it, so he sets a fun relaxed tone with the built in message that waiting is OK.

There’s another actor in Hollywood that arrives for each work day by helicopter. When the crew hears that chopper overhead, they have 20 minutes to be ready to roll camera.  If they’re not, the actor gets back in ther chopper and flies away. Now, there may be good reasons for the actor having to work this way, to each his own. But, the net effect is that the rest of the crew becomes paranoid, anxious and has flashbacks when seeing traffic copters or the opening titles of M*A*S*H.

The individual in the group dynamic is important!  Though it starts from the top down, any team member has the power to make the culture positive or to undermine it.  To make that point, imagine a big lighting setup.  While you are shooting away, someone randomly keeps pulling out plugs. As soon as you get it plugged back in and are rolling again, another one gets pulled on the other side. That is the power of the individual!

So think about it.  What is your individual contribution to the corporate culture of your crew, team or group?  Is it positive or negative? Is it about serving the group or your personal aspirations?

This is a fluid subject. I’m not the poster boy for creating good corporate culture. I think we teach what we most need to learn.  But, I’ve become aware that not only does culture count, if you want to keep your sanity and you want to love going to work everyday it’s essential.

So, how do you change a culture, in an office? On a set? If you’re the boss or department head take a good look at the tone you are setting.  Is it collaborative? Can people ask questions and feel heard in their concerns without feeling their jobs are threatened? Remember, the space shuttle Challenger accident?  The official investigation revealed that the engineers brought up concerns repeatedly. Their concerns were so aggressively rebuffed that they stopped bringing them up out of fear of losing their jobs.

After you’ve done some introspection, write down your personal philosophy of a good working environment and make sure those around you are aware of your feelings.  Then walk your talk and implement your point of view.

If you’re not the boss, it’s all about one thing: ATTITUDE! What attitude are you bringing to the team?  Is it positive? Negative? Self preserving? Secretive? Collaborative? Again introspection is in order. Ask yourself some hard questions. There’s always something to work on.

In the end, attitude always wins out, positive OR negative. But, only you can choose.  The beauty is that you can change the culture around you top down or bottom up. The choice is yours.

Customer Service

When I was 12, I had a paper route.  I worked for the Hartford Courant, a morning paper.  I was pretty good at getting up early and delivering the papers. But getting paid for my work was another matter.  In those days, the paperboy would have to go every week and get paid from the customers individually for the week of papers on Friday night. Then on Saturday morning, I’d have to go to the paper’s offices and pay the wholesale price for the newspapers I had delivered during the week.

So Friday evenings were an important time for paperboys to work.  But, it was also an important time for 12 year old boys to go to the local skating rink to hang out with their friends and pretend girls were remotely interested in them.  So, invariably I would go and collect just enough money to pay my newspaper bill and get into the skating rink, thinking I would make it back sometime on Saturday to get the rest. Never quite worked out that way and created some customer service issues for me.

In one instance, there was a Mrs. Gaudette who was on a strict weekly budget and insisted I come every Friday night.  After a few times of missing a collection and the ensuing reprimands, then missing a few more times, I just stopped going back out of fear.  I kept delivering papers for 2 years and just didn’t get paid for that house.  What can I say? I was twelve and she was mean, but she was the customer and she made her expectations known.

On the other side of the coin, there was Mrs. Buckley on the next street.  It was 1971, she was alone and her son had been killed in Vietnam early in the war.  She would invite me in while she got her $1.10 together and then talk to me for an hour about her son.  Brutal, but I was polite and I felt so sorry for her.

When we think of customer service, it seems we think of some person on the phone sitting in the midwest or India or my favorite “Peggy” in the Capital 1 commercials.  Basically they exist to listen to our complaints and offer some kind of mediocre or inadequate fix to our problem (whatever it is.)  So really, we think of the worst job in creation.  A never ending array of complaints and demands and anger.

In reality, customer service is one of the most simple concepts in business and at the same time the most complex. Especially for Artists, who are just more interested in the creative elements of the business.  There are Mrs. Gaudettes who intimidate and then are happy to get stuff for free because of it (no, I’m not bitter) and Mrs. Buckley’s who are needy and take a great deal of time.

But, customer service needn’t be the extremes and can be broken down.  First of all, customer service implies or assumes that you already have a customer.  Once someone is a customer, only then can you worry about customer service.  Before that it’s called marketing.

Once you have a customer, the whole drill can be boiled down to one concept: REPEAT BUSINESS.  For all the fancy business rhetoric, charts, facts, figures, personal development and techniques, this is the only real measurement.  How much repeat business are you getting?  If you have consistent repeat business, you are doing something right.  If you don’t have enough, you are doing something wrong in your working process.

Customers do not forget a great experience and they do not forget a bad experience. But, they do forget an average experience or even an above average experience. So, what’s the fix? Give them a great experience, first time, every time.

What is that supposed to mean? It means giving great care to the entire process. In the book ‘Purple Cow,’ author Seth Godin puts it simply: “be remarkable.” The premiss of the book is that if you’re driving through the countryside and you see some cows grazing, you notice them and may think they’re cool.  But, as you keep driving and you keep seeing different versions of brown cows, eventually they just blend into the background. However, if you see a purple cow, now that’s something you’ll remember for a long time. Because, lets face it, a purple cow is remarkable.

Customer service is a lot of things, but mostly it’s going way way beyond what is expected. Way way beyond starts with listening to the customer about their goals, but listening even harder to their concerns and expectations. Nothing can be beneath you to address, no matter how ridiculous and no lengths are too far.

In Tony Hsieh‘s book  about the culture of Zappos.com “Delivering Happiness,” the CEO recounts the story of how he once goaded a client into calling the the Zappos customer service line in the middle of the night to ask “can you tell me where I can order a pizza in Santa Monica and get it delivered at 1am? Remember, Zappos is an online shoe store.  They put him on hold, found the information and gave it to him. That’s customer service!!

It’s preparation, it’s execution, it’s follow up. But, it’s not THAT you do these things consistently, it’s about HOW you do these things. Do you do some of these things begrudgingly? DO you become stressed and yell at subordinates in the heat of battle?  Are you onto the next project after and do minimal follow up?  It’s all seen and it all counts.

A few years ago I heard a great and challenging quote by the speaker and author T.Harv Ecker.  It goes: “how you do anything is how you do everything.”  I think that deep in each of our minds we are programmed to reason: “once I see someone do something, that’s how they do it every time.” That simple concept has kept me from all sorts of laziness, half measures and half cocked stress related mistakes.

So how do you do things?  Are you inconsistent in your marketing?  Do you shy away from the business end of being professionally creative? Is repeat business alluding you?  You have to ask yourself the tough questions to begin to move forward.

After all, with no customers, there’s no point in thinking about service and with no service there are no customers.  It’s a tricky ‘Catch 22.’ What are you going to do about it?

It’s Not About You…

Here I am at 30,000 feet…… again. Headed to Kentucky for my first vacation in a year. Kentucky? Vacation? The two don’t quite mix, but if you go back and read my last post, you’ll know why. Horses. Lots of horses for sale. Yes, I could buy a horse in California. Yes, I could even find a Rocky Mountain Gaited horse (Lexs’ breed and the breed we seek,) but we just needed to get away. So here I am on Frontier Airlines, (the choices to Louisville are limited.) Not my first choice of travel. Their slogan is “Frontier, a whole different animal,” which is curious at best. So far, my experience is so frills free and makes you quickly feel that someone with a chicken in a cage may sit next to you, that I came up with a new slogan for them: “Frontier, covered wagons, now this.” I firmly believe that an onboard cholera epidemic is starting in one of the exit rows.

Why so sarcastic this week? Obviously, it’s all about me! You see, budget travel just screams in your face: ” it’s NOT about you, we’ll get you there dammit, but it’s not about you!” Thus, my blog topic for this week, ‘It’s Not About You.’

Now, I’m not talking about your big breakup when your partner said “it’s not you, it’s me. You’re great.” In fact, that was about you, because well, you weren’t so great. I’m talking about business primarily, but there is a definite takeaway for life.

When Ari Emmanuel dumped Mel Gibson soon after the Endeavor/William Morris merger, it wasn’t about Mel’s douchey anti-semetic rants. It was about the negative publicity effect that his antics would have on the new WME brand and the comfort of other big stars repped there. Those who were just more important than Mel. It wasn’t a moral or ethical decision, it was hard business and in the end, it wasn’t about Mel, it was good for Ari.

While we’re on Emmanuels, let’s look at Rahm for a second. When he was getting knocked off the Chicago mayoral ballot as a non resident because of working in Washington for Obama, he didn’t take it personally. He knew it wasn’t about him. It was about the other candidates doing their best to secure a job for themselves.

Thus my thesis. Don’t take it personally. When I started my first agency years ago, I had left an old school Beverly Hills agency followed by many of the agency’s clients. Long story short, they sued me. I thought I had things pretty well covered but they kept looking until they found a minor issue that was actionable. At first I was incensed and depressed that they would come after ME so hard. Then I remembered the words of a good friend who had been in business for many years. He gave me the best advice of my career. When you get sued “and you will” (he called it) don’t take it personally, it’s just business.

I took his advice to heart and made it through the ordeal. Turns out that once I was able to step back from it, I found they were a lot more emotionally attached to the situation than I was. That allowed me to make well thought out decisions about how to proceed at each step, while they made emotional mistake after emotional mistake. I realized early on that it wasn’t about me, it was about that I hurt their feelings. Eventually, it wore them down and I did very well in the settlement.

The lesson here is: how do you feel about rejection? When you don’t get a job you were hoping for that your friend was directing or people are getting upset at you because your department is over budget, remember that those things are never about you. It’s about the other person’s fear about how any situation affects or reflects on them. It’s about their personal criteria and prejudices that lead to decisions that will propel THEM forward. It can be about personal history for sure, but on a primal level we are wired for self preservation. Conversely, When they do bring you along on a job, that’s about them also and what you can do for them. That’s why when people do heroic things that aren’t about themselves it’s such big news.

We all do it. No one is above it. We all make the majority of our decisions based on the outcome for US. For instance, I’ll never fly Frontier Airlines again. Why? It’s not that they’re a bad airline, they just didn’t meet my criteria for comfort, and when I look out the window I don’t want to see wings that are made of wood and canvas.

When I take on a client or not, the main consideration is if I feel I can sell them. If I misjudge this it could turn uncomfortable later if I am not having success, or should I say I get uncomfortable as the situation becomes more tense. See, me, me, me!

If you really look at it closely, you’ll begin to see these patterns everywhere. I’m often asked, what the key to negotiating is. My answer is this: whomever speaks more loses. For the simple fact that the more people speak, the more they reveal their personal agenda. What it is about the deal that is about them. Left to speak long enough, people will tell you all about their Mom, their dog, their strategy, or lack thereof. As an agent, I wait in silence for the cues they will give me. More often than not I will get everything I want by them offering it without any prodding at all. I’m not silent in a creepy way, I do a lot of “uh hus” and “I sees.”. People just love to talk about themselves and I let them do it. In the course of things I get a deal done.

See? That whole last paragraph was about me and my philosophy. I’m not saying there’s anything wrong with the way we are wired, although the world would be a happier place if we were wired to think of others first. I’m just saying you can save yourself a lot of wear and tear if you notice that in almost every situation, people are most driven by the outcome for themselves and underneath it all it’s rarely about money, and almost never about you. Capiche?

But, enough about me, how do you like my shoes?

Don’t Panic!!

I have three dogs, Sophie, Dusty and Rambo.  Now this isn’t some stupid blog post created to show pictures of my stupid pets.  Though I will show pictures of my stupid pets in a few paragraphs.  Let me start again.  I have three dogs, Sophie, Dusty and Rambo.  They never panic.  They bark furiously from the windows at the Fed-x man, landscapers, Jehovah’s Witnesses and the dogs next door, but they never panic.

I’ve watched them a lot.  They react to stimuli sure, and they get very excited. But nearest I can tell, when they get used to a situation, they calm right down, forget about it and go about the business of sniffing each others butt’s and trying to drag off the counters things which may or may not be food.  Not once have I seen them brood or worry about a situation.

Sophie

If i’m a little late with dinner, they sit at attention, expectantly waiting.  They don’t become consumed with thoughts of never eating again. They just wait.  If I sleep in and don’t hear them scratching to go out, they may take care of business in the house, but they don’t worry that they’ll never see the backyard again.

Perhaps, it’s the size of their brain.  Let’s face it, not big. Not prone to reason, just fight or flight.  I believe it’s the reasoning mind that panics.  A dog will just run. Humans too will run in certain situations, but are more likely to stand there, staring at the danger and thinking ahead to all the various possibilities of how it will ruin their life ten or twenty years down the road.

Dusty

When it comes to my dogs and panic, The Jehovah’s Witnesses are a little different of course.  In those cases I actually let the dogs out.  They are in full flight. It’s interesting watching one Witness trying to run while pushing the other Witness’s wheelchair (there’s always one in a wheelchair) down my long gravel driveway, the wheels digging in, the dogs getting closer, the panic rising.  The attendant Witness suddenly turning the chair around and using his friend as a human shield against the on coming pack of canine killing machines.  Of course they don’t realize that with my dogs, the only goal they have is to bury their noses well into the crotch of a Jehovah’s Witness to get a whiff of God.

Weighing in at 6 lbs - Rambo

I’m kidding about all that of course, I would never sick my dogs on anyone (or would I?)  I’m just trying to make a point here.  If you don’t get that job or couple of jobs, if you are out of work for a month, don’t panic.

Stars explode, planets collide and free lancers sit around sometimes.  It’s merely the natural flow of things.  There is a beauty to working in the arts.  For your vision and to be your own boss is freedom. But, when it’s slow, remember: the lack of work today does not preclude a lack of work tomorrow or next week or next month or next year.

You can fight that “I’m never going to work again” angst by re-focusing your energy in a more positive way.  I’m not going to tell you to go make some calls or send some emails or start a personal development art project.  I say that all the time and by now you know that productivity begets work.  Instead, when the pangs of “I’m finished professionally” set in, I want you to do something simple: TRUST.  Trust that you are not at the sum total of your profession.  Trust that the work will come back around. Trust that your talent is your purpose, and purpose can’t be denied. Trust that just as stars explode and planets collide, freelancers go back to work.

I’m a big fan of The Hitchhiker’s Guide to the Galaxy.  For both of you who have never heard of this book series, movie, TV series, radio series, it is about a fictional Inter Galactic travel guide.  According to Wikipedia:  ”DON’T PANIC (always upper-case) is a phrase written on the cover of The Hitchhiker’s Guide to the Galaxy.[27] The novel explains that this was partly because the device “looked insanely complicated” to operate, and partly to keep intergalactic travelers from panicking.[28] It is said that despite its many glaring (and occasionally fatal) inaccuracies, the Hitchhiker’s Guide to the Galaxy itself has outsold the Encyclopedia Galactica because it is slightly cheaper, and because it has the words “Don’t Panic” in large, friendly letters on the cover.[27]

Wikipedia goes on to say that the author of 2001 A Space OdysseyArthur C. Clarke said Douglas Adams‘ use of “don’t panic” was perhaps the best advice that could be given to humanity.”

I have to agree.  See it doesn’t matter whether you are a freelancer, one of my dogs, a Jehovah’s Witness or an intergalactic traveler.  When you panic, you spend a lot of brain power making up imaginary disasters, when in fact you could be using your brain power to be productive and find some solutions.  But, to keep from panicking you have to TRUST.  So, trust me, it will all be fine.  At the very least, I won’t sick my dogs on you.

So Many Pieces, So Little Time

Im sitting here on Sunday afternoon doing my absolutely most favorite thing. OK, my 2nd most favorite thing, I’m watching football. I always hesitate to use sports metaphors in my blogs for the simple reason that so many people either don’t know sports, don’t care, or simply can’t relate their own careers to those of coddled, privileged millionaires running around in tight pants chasing a ball. Indeed, for that kind of cash, I think I could find a way to fit my fat butt into tight pants, but I digress.

Being an Entrepreneur, being an Artist, running a business is not like being an athlete. Well, other than the commitment to hard work and discipline that is needed. No, being the boss of you requires that you be like the WHOLE team.

Here’s what I mean: Champion football teams have three main things they have to be good at. Those would be offense, defense and special teams. They practice add nauseam to conquer these areas and become balanced and strong in each. If any of them are grossly lacking, it is unlikely that the team will become of champion caliber.

As entrepreneurs and artists we need to be able to name our multiple areas to conquer. As an agent and company owner I have five main areas: client acquisition, client service, buyer development, company marketing and company administration. On top of that, each of these categories has multiple pieces to manage.

Having been an artist myself and representing artists for many years, here’s how I see the career pieces an artist must manage. They are: craft development, client acquisition, craft performance, client management, personal marketing, company administration.

It’s like a jigsaw puzzle. The categories are the pieces. The job of the artist/entrepreneur is to take all these disparate pieces and fit them together. Then make sure they stay together. So, here is my challenge to you: make a list of the categories, then write down what you are doing to service each of those categories and you will quickly see where you have to improve to build a balanced business attack. Then work on the areas that need to be developed further.

To take things one more step, work on doing something every day in each of the categories you come up with, even if it is just one thing. Make it a habit. Old habits can be hard to get rid of, but new habits are easier to establish. Studies have determined that habits can be developed by repeating behavior daily for as little as 21 days.

It’s like a jigsaw puzzle.  First you have to take the pieces out of the box.  Then you have to turn them all right side up so you can identify what area of the puzzle they fit in.  Only then, can you begin to construct the puzzle.  If you aren’t willing to do that, you might as well just leave the pieces in the box and shake it really hard, hoping the pieces inside will magically fall into place.  Then you can open the box and be amazed how the puzzle fairy has shined on you.  If for some reason, you don’t believe in the puzzle fairy or more appropriately, the business fairy, my suggestion is to identify the pieces of your business and start trying to fit them together.

How did we get from football to puzzles?  It’s all the same.  Pieces of team strategy, pieces of colorful cardboard, pieces of business strategy.  In each endeavor, there’s no point in continuing until you’ve specifically identified what the pieces are and what needs to be worked on.

One more thing. The teams that win are the ones that are willing to put in more work than the other teams, therefore it can be concluded that they are the ones who want it the most. What about you?  How bad do you want it?  Are you going to shake the box or or do the work?

Inspire Yourself

“He who is not everyday conquering some fear has not learned the secret of life.” - Ralph Waldo Emerson

“Go outside and play, you are driving me crazy!”   - My Mom

In the summer of 1971, I was briefly under house arrest for some crime or other. Cat juggling or lighting things on fire or something equally unacceptable in the house of Jacob. My father was the disciplinarian, my mother was the unfortunate recipient of the consequences of the consequences.  At the time I was listening daily to a comedy album that had impressions of Richard Nixon, Spiro Agnew and for some reason Robert Goulet singing “If Ever I Would Leave You” from Camelot. To make a long story short, I devised a plan to get out of my grounding by following my mother around incessantly repeating  (in my best Nixon) “I am not a crook” while flashing peace signs and singing the Camelot song in my 11 year old’s squeaky Baritone. It worked.

Why bring this up now? Well for one thing, it’s still kind of funny and for another it was deviously inspired. I conceived it, I believed it, I executed and I received instant reward. Well, not instant, it took a few hours, but I was well versed on the limits of my mother. I knew she would eventually crack and indeed she gave me early release for annoying behavior.  It was also the perfect plan, as it left my father completely defenseless. It was the funniest thing he’d heard since I belched half the alphabet, so he couldn’t stop laughing as he tried to reincarcerate me that evening. In the end, I went over the wall and the guards just let me keep running.

How are you inspiring yourself? I didn’t want to be inside on a fine summer day, perfectly made for wiffle ball, cat juggling and arson.  I had a strong eleven year old’s motivation behind me.  So, I ask you:  how bad do you want what you want?

Can you move through the various fears we experience in business and the arts: rejection, judgement, being too strong, not being strong enough.  What will inspire you to push through those fears? What will inspire you to risk it all for what you really want to accomplish?

Here’s the key; don’t look to the outside for your inspiration, IT HAS TO COME FROM WITHIN. Outside you are motivations only. Inside, well that’s another story.  There lies your imagination, where you can conceive the future and the career you really want. Inside you is also the plan to get there.  If you’re wondering where to look for it?  That’s the easiest part of all, it’s right behind the fear.

Imagination is the pure light of the soul and the soul is massive. But, fear takes up too much room and makes the soul seem tiny. Such are the seeds of defeat and hopelessness. I’m here to tell you, there’s only one way out.  Inspire yourself. Push through the fear, inspire yourself and see what’s possible!

You think it was easy to get out of a grounding at my house?  I have news for you, it wasn’t.  But, I looked deep within to my inner impersonator.  I was inspired.

Inspiration is generally seen as something on the outside greater than ourselves moving us to action.  What happens if we change that definition to include our inner greatness?  Is that idea not humble enough?  Is it too audacious? Consider these words:

The Invitation
By Oriah Mountain Dreamer

It doesn’t interest me what you do for a living.
I want to know what you ache for,
And if you dare to dream of meeting
Your heart’s longing.

It doesn’t interest me how old you are.
I want to know if you will risk looking like a fool
For love, for your dream,
For the adventure of being alive.

It doesn’t interest me what planets are squaring your moon.
I want to know if you have touched the center of your own sorrow,
If you have been opened by life’s betrayals,
Or have become shriveled and closed from fear of further pain.

I want to know if you can sit with pain,
Mine or your own,
Without moving
To hide it or fade it or fix it.

I want to know if you can be with joy,
Mine or your own,
If you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes
Without cautioning us to be careful, be realistic, to remember the limitations of being human.

So, get inspired.  There’s cat juggling to do and only so much time to do it in.